This Psychic Reading given by Edgar Cayce at the office of the Association, Arctic Crescent, Virginia Beach, Va., this 18th day of October, 1942, in accordance with request made by the self - Mrs. [2390], Associate Member of the Ass''n for Research & Enlightenment, Inc.
P R E S E N T
Edgar Cayce; Gertrude Cayce, Conductor; Gladys Davis, Steno. [2390] and [2533], Ruth Denney and Mae Verhoeven.
R E A D I N G
Time of Reading 3:35 to 4:20 P. M. Eastern War Time. ..., Va.
1. GC: You will have before you the entity [2390], born August 24, 1910, in Marietta, Georgia. You will give an aura chart of the entity, indicating the symbols, colors, and the meaning of each, that they may be made into a drawing that would be of help to the entity.
2. EC: Yes, we have the records here of that entity now known as or called [2390].
3. In giving an aura chart, the records are attempted to be interpreted from the experiences of an entity in the material plane; indicating in the center the picturization of what is the high point in the unfoldment or awareness of an entity in the period, and indicating by the signs and symbols the manner in which such activities influenced the entity.
4. For this entity, then:
5. In the center at the bottom put a pool of water; not too pretty a pool, but indicate a lotus flower - in white - coming from the muck and mud of such a pool. Two faces would be indicated in the blossom, and from same coming the full figure of an individual, as becoming an individual soul or entity.
6. Upon the left side of this put a cross, in white and gold. (All of these vignetted figures in this design.)
7. Upon the right side put the anchor, with a cord to same.
8. And just above this central figure indicate the nude form of the figure unfolding, but the symbol that is called the pyramid (and the inverted pyramid) over same. This would indicate spirit entering matter.
9. Upon the left side, as the symbol, put Atlantis; this in a circle and light pink in color, the circle of white.
10. Upon the right side put the symbol of the earth, the circle dark gray, while the lines of the symbol would be double, pink and blue; not too deep either.
11. These would indicate the place, the manner of activity in Atlantis - the earth the blossom, the spirit the face.
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12. Above this the central figure would be a long oval extending across the whole of the pattern; this not to be vignetted but outlined. Upon the foreground would be, as the central figure, would be a maiden seated upon the ground with one knee raised; with the figure of a man, head resting in the lap.
13. As a background for all this - to the left in the distance (which would be toward the west) put a small figure of the mystery of mysteries, and the crescent moon sitting - or going down.
14. And in the foreground then, to the right, put the light as of the early rising sun. In the far distance put - as the small line - the Temple of Sacrifice and the Temple Beautiful; stars - and thus a purple-leaden sky with many stars in same; at least twelve stars, and then HIS star forming a cross in same. This would be brilliant - not in the high heavens, but as arising.
15. In the right side, balancing the figure on the left, put a camel; not a dromedary.
16. The expression upon the face and the dress of the figures would be representative of the elderly man indicating to the maiden the coming events in the earth; as the setting of the worship of planets, the moon or the sun - not arising yet, but that as indicated by the cross and the twelve stars, though the cross a star. The stars should be white and gold, indicating the great unfoldment of the entity in the Egyptian sojourn, and that attaining force and influence in same.
17. As to the manner of expression in that experience:
18. Upon the left put the symbol of Mercury; this in blue and gold, and the signs about same - four, very small and black - of Cancer.
19. Upon the right put the symbol of Venus, in white and gold, and the small signs about same of Leo; indicating the manner in which the entity entered into the activities in that experience.
20. In the central figure above this would be indicated an individual ministering to the needs of at least three ill persons; one bound about the lower limbs, another about the head, and another to which the entity would be ministering - as in the giving of a drink from a gourd or a shell. The positions of these would be indicated in the manners as would befit the concept of the artist. These all would be dressed in different colors, though the central figure would be dressed as the ministering angel to the ill. This would indicate the place and the high point of the entity's unfoldment.
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21. On each side of this make a small circle.
22. In the one upon the left put the letters EL in gold, though small; not heavy, but long - or longish - letters.
23. In the one upon the right (which would be the same type of circle) put the letters DI in gold; not heavy.
24. As to the symbols:
25. Upon the left put the sign of Jupiter, in purple and white; with the small symbols about same, four in number, of Aries, or the ram.
26. Upon the right side put the symbol of Saturn, in light green, gray and white; with the rings, or ring, having more of this color; and the signs or symbols about same of Pisces.
27. The central figure above this would be the Upper Chamber, and the indication of there being pointed out to an individual as to where the Last Supper was being held; and the Twelve about the table with the Master in the center. That figure should follow the picturization of same by Da Vinci. To be sure, upon the head of the central figure would not be the light ring but, a little higher, the ring with a heart in same; this, to be sure, blood red. The dress of the figures at the table would follow that outline indicated in the artist's concept of Da Vinci's interpretation of same.
28. In a small figure to the left (not outlined but vignetted), put a small ship upon a turbulent sea; this small, with three figures in same - in the boat.
29. Upon the right (also vignetted) put a church, or a congregation inside an edifice, with an exhorter; and the faces, though very small, expressive.
30. As to the signs, or manners:
31. Upon the left put the symbol of Neptune, in gray-green and pink; with the symbols about same of Libra.
32. Upon the right put the symbol of Mars, in coral and gray-green; with the symbols about same of the archer.
33. These would indicate the place and the period, and the activities of the entity.
34. Above this, as the central figure, put a small but distinct peach orchard in bloom, with a misty figure in same; outlined as a figure going through same - white and touches of blue.
35. Upon the side would be put an open carriage (this to the left); this in an oval, but the oval up and down, not longways. In the carriage, horse drawn, would be a figure with a parasol; indicating laxity and self-indulgence, by the manner of resting in the carriage.
36. Upon the right, also in an oval, would be a figure
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kneeling at an altar; above same the crucifix, and the light coming as from the crucifix upon the kneeling figure. Here the figure would be not in black but dark gray, with the face lifted to the crucifix.
37. As to the manners in which there would be indicated the activity:
38. On the left put the sign of the earth, but indicated by the north and south portions of the Western Hemisphere, - this, to be sure, in a circle. About same would be the symbols of Sagittarius, small and black.
39. Upon the right put the moon, full, and the colors of same would indicate not a laughing face nor yet too stern, but a full moon - a face in same. The symbols about this would be Libra, or the balance, or one in one, and one in the other.
40. In the central figure above this put the facade of a two-story dwelling, with columns as the front of same, but sufficient to indicate the entrance; with six steps - seven steps in all - upon or in front of same; this in white, just shaded sufficient in the gray to make the outline.
41. Upon the steps put a small figure looking to the west, and seeing - as but in vision - the figure indicated, or vision, of Egypt; this indicating in miniature that central portion given as the second figure or period for the chart, see?
42. To the left of same put a triangle. On this put the letter G, in gold; while the triangle would be in silver and gray.
43. To the right put a circle with the cross, this heavy - even for the size circle. This, too, would be in silver and gray, and the cross gold.
44. Upon the left put the symbol of Mercury, in white and gold; while the signs about same would be of Pisces.
45. Upon the right we would also put the symbol of Mercury, this in pink and gold; and the symbols about this would be of Pisces.
46. These would indicate the place, the experiences, and the judgments or unfoldments seen in that experience.
47. As to the attainments:
48. Here we would put upon either side at the top the cornucopia; one upon the left, the other upon the right. These would be emptying towards the figure below. Clouds would be upon either side, and below to the side - these in touches of clouded gray, white, gold; with stars in the lower portions of same upon either side. Indicate at least seven vials, not stones but vials, pouring from the cornucopia.
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49. Between the cornucopias put the cross, with the all-seeing eye above same.
50. This is that to which the entity may attain through the Christ and the trust in the promises of same.
51. This is the aura chart of the entity now called [2390].
52. We are through for the present. Copy to Self " " Ass'n file " " Esther Wynne nne